A tales efectos, la investigadora describe las concepciones epistemologicas que tienen los estudiantes sobre las ciencias y las pseudociencias e identifica los criterios de demarcacion, entre un area y otra, que se derivan de estas concepciones.

Esta investigacion responde a la necesidad de analizar como la proliferacion de las pseudociencias afecta la vision que tienen los estudiantes universitarios sobre las ciencias naturales. “The installation of the drawings at Concordia is not intended to memorialise a dead modernist but to vivify and refocus the principles enacted by LeWitt of educator, mentor, and colleague while performing at an exceptional calibre of production within the fine art world of exhibition” the university says.La problematica de la demarcacion entre ciencia y pseudociencia y sus implicaciones en la educacion cientificaĮn la sociedad prevalece una tendencia generalizada hacia la inclusion de creencias y practicas pseudocientificas. The drawings were undertaken to mark the Faculty of Fine Arts Gallery’s new programming year, the launch of the university's Drawing Lab, “a new research lab that will provide a platform for action and discussion around contemporary drawing practices,” and the arrival of Anthony Sansotta, artist, director of the LeWitt Estate and long-time assistant to LeWitt. Sounds simple, right? Well, towards the beginning of this month, 27 art students at Concordia University in Montreal, Canada, have followed similar directions as they recreated LeWitt's Wall Drawings #394, #109, #123A and #103 in various locations around their campus.

Wall Drawing #260: All Combinations of Arcs from Corners and Sides Straight, Not Straight and Broken Lines, 1976 by Sol LeWitt

Angel saucedo calibre 50